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Showing posts with label Jim Chatto. Show all posts
Showing posts with label Jim Chatto. Show all posts

Sunday, March 11, 2012

A week with Jim Chatto and the Pepper Tree crew (Part II) . . .

(In my previous post I focused on vineyards and the 2012 vintage during my week with Pepper Tree. This post I look more at the winery and their chief winemaker, Jim Chatto)

The Pepper Tree story and situation is an interesting one. Having started in 1991, it’s a winery that doesn’t have the history that a Tyrrell’s or Mount Pleasant does. Nor does it perhaps have the name or cache of some of the newer breed of Hunter wineries. Moreover, Pepper Tree make wines from the Hunter, Orange, Coonawarra, and Wratonbully, not an approach that necessarily gains kudos in an age in which people are increasingly looking for greater focus and greater regional specialisation. The corollary of this is that Pepper Tree is a medium sized winery that hasn't had a strong image or brand name within wine circles. And yet over the past 5 years, they’ve increased sales by 20% year on year, the quality of the wines have undoubtedly improved, and I think the Alluvial Semillon and the Coquun Shiraz are fast becoming Hunter benchmarks. So in a tough period for many Australian wineries, Pepper Tree is a quite uniquely positive story.

Jim Chatto, chief winemaker at Pepper Tree, has been the driving force behind this improvement of Pepper Tree’s fortunes, and is I believe beginning to make some truly great Australian wine. In taking over the show at Pepper Tree 5 years ago, he was taking control of a portfolio of wines that were arguably overpriced and underperforming. He has since turned this around and Pepper Tree wines have received wide acclaim in the past few years. Improving things in the winery, including cleaning up a problem with Brettanomyces, as well as both accessing better vineyards and improving things in those vineyards, have all led to better wines. Looking through the history of Pepper Tree wines reviewed by James Halliday (which go back to a 1993 Pepper Tree Frost Hollow white!) there are 39 wines that have received 94 points of more. Of those wines, 29 have come since the 2007 vintage. Moreover, there has been plenty of acclaim from other wine critics for Pepper Tree wines of recent vintages. The two wines that arguably stand out are the Alluvius Semillon (off the Braemore vineyard), and the Coquun Shiraz (off the Tallawanta vineyard). Neither wine quite has the history to sit in the lexicon of great Hunter wine just yet. But based off the past few vintages I can see that both wines are on track for a place amongst their peers given a few more vintages of similar quality. If that is the way things do pan out over the next few years, then I think Pepper Tree if perhaps never becoming a trendy label, will at least become a name synonomous with benchmark Hunter wine.

The other part of the Chatto winemaking story is his own Pinot Noir vineyard in Tasmania. He has a passion for Burgundy, and this little plot will be the outgrowth of that. He spent a number of years finding the site he wanted, eventually settling on a warm site 5 years ago that is one of the most southern vineyards in Tasmania. He was looking for latitude rather altitude. It has been planted with a number of different Pinot clones and 2012 will be the first vintage where he makes wine from the vineyard. It’s his personal long-term wine project. Given how long he took to find his site, the length of time he has waited to produce his wine, and the quality that can be seen in his winemaking more generally, it will be a Pinot Noir I follow with keen interest.

Back to Pepper Tree, and the portfolio starts with a $15-$18 varietal range and goes through to single vineyard wines in the $40-$50 range. In having such a portfolio, Chatto's winemaking ranges from the commercially made through to premium wines where less intervention and expression of site are the aim. Those in the varietal range are likely to see more winemaking as such. Fining and filtration, acid adjustments, concentrate, enzymes etc. All of which may be viewed as untrendy winemaking, but to me makes perfect sense for your cheaper, commercial wines, where consistency and flavour are going to be more valued by the consumers who will buy the wines than notions of authentic site and vintage expression (not that these are mutually exclusive ideals). Importantly these wines can be pretty good to. I tasted the 2011 Chardonnay, a blend of Orange, Wratonbully, and Hunter fruit, just before it was about to be sent off for bottling, and it had a balance and elegance to it that would happily see me handing over $18 for it. I also got to try it pre and post filtering, and the post-filter sample tasted slightly cleaner and better. For someone looking for an affordable and good drinking Chardonnay, this post filtering example would likely be the more appreciated outcome.

The wine I was most directly involved with, also in the varietal range, will become the 2012 Semillon Sav Blanc blend. If it’s a brilliant wine for the price, it will have obviously been the result of a bit of “Red Love”. If it’s not . . . then blame Chatto. Jokes aside, the Semillon for this wine came off the Quayle vineyard in the upper Hunter. The fruit when it was harvested was largely ripe, but had small pockets of greenness in it, which Chatto says he doesn’t mind for a Sem Sav Blanc blend (conversely he likes to make sure his straight Semillons achieve full ripeness before picking). The Sav Blanc will actually come from NZ (apparently even with transport costs it is cheaper to get good quality Sav Blanc from NZ than it is to source it from somewhere like the Adelaide Hills or Orange). It’s one of their top selling wines, and from a commercial perspective as important as any of their more premium white wines. I got to taste the fruit before it came off, crushed the fruit when it came into the winery (at night and in the rain . . . hardcore), tasted it as juice, racked it between tanks, and made the yeast preparation to kick off the ferment. Sounds like I did quite a bit, but in reality I will have had very little to do with end product, but just the fact that I was involved makes me very keen to see how it turns out once released later this year.

The wines with minimalist winemaking if you like, are the single vineyard wines. Wines like the Coqunn Shiraz. A single vineyard wine off Tallawanta, which in recent vintages has not required any acid additions, uses a neutral yeast, goes into large format oak (mostly old), and might see some minor fining and/or filtration just depending on the vintage. Gentle winemaking, but there’s no attempt by Chatto to make a “natural” wine, but rather a practical approach to making wine that best expresses its site. And on this point, I get the sense from Chatto and a number of other Hunter winemakers who I talked to while in the Hunter that week, that not many of them are not about to jump on the “natural” wine train. Given the history of the Hunter with Brett, and the fact that they’ve got to the point in the past 5 years where the Brett problem has largely been cleaned up, I don’t think Hunter winemakers are about to let their wines run their “natural” course. That being said, Chatto, and indeed many Hunter winemakers are keen to show off their great vineyards and make wines that are true to their site. To do this they are engaging in low intervention, yet pragmatic winemaking. Wines like the Coquun Shiraz and Alluvius Semillon are fantastic examples of this.

Beyond the things I gleaned about winemaking, the other thing I gained an appreciation of during the course of the week was just how much cleaning goes on in the winery. Cleaning grape bins, cleaning the destemmer, cleaning the press, cleaning tanks, sulphuring barrels. There is a constant and consistent process of cleaning whatever it is you’ve just been using. As much as there is the interesting side to winemaking, there is the equally important and time consuming effort to ensure everything in the winery is clean.

There were no winery mishaps while I was there, apart from one early morning when I got a faceful of Chardonnay. We were pumping the 2011 Chardonnay into a truck to go off to bottling when the hose sprung a leak and afforded me a chardonnay shower. If I wasn’t fully awake beforehand, I certainly was afterwards. Had it been captured on video it would have made for a good Youtube post.

A big thanks to Jim for giving me this opportunity, and a special thanks also to Luke, Leon, Joe, and Todd for showing me the ropes and putting up with all my questions. All up a great week.


Red

Sunday, February 26, 2012

A Week with Jim Chatto and the Pepper Tree crew (Part 1)

I drink a lot of the stuff, write about it, and have pretty strong opinions on wine, so I’ve thought for a while now that I should get my hands dirty and do a bit of vintage work. I’ve spent plenty of time in wine regions, in vineyards, and in and around wineries, but of course this is not the same as actually being involved in turning grapes into cherished vino.

And so it was that I organised with Jim Chatto, chief winemaker at Pepper Tree, to spend a week in the winery in late Jan/early Feb, at the early stages of what has proved to be a very challenging vintage in the Hunter Valley. I traversed vineyards, helped crush grapes, and cleaned tanks. I learnt lots, helped out where I could, and drank some very nice wine in the process. All up it was a great week.

This post I will just concentrate on the vineyards and vintage itself, while in my next post I will look at Pepper Tree and working in the winery.


Vineyards

During the course of the week I had the chance to accompany Chatto as we walked and tasted through a number of great Hunter vineyards that Pepper Tree sources fruit from, including Tallawanta, Braemore, Steven, Trevena, Coombe Rise, and then also Quayle in the upper Hunter (there was also a sneaky trip into Lovedale but we’ll keep that one quiet). Having previously tasted many wines from these sites, and indeed written about some of these vineyards, it was great to actually kick the dirt, taste the fruit, and just gain a better understanding of where these wines come from.










(Jim Chatto tasting through the Quayle vineyard in the upper Hunter)

The first thing that stood out to me during my vineyard wanderings was the obvious difference in the taste of the fruit between the vineyards and even within vineyards. For those that taste grapes regularly, this difference might appear to be bleedingly obvious, but without having previously had the chance to taste grapes from multiple sites in a compressed period of time, it wasn’t necessarily apparent to me that the differences would be so evident. A Semillon grape from Braemore tastes distinctly different from that of Tallawanta, Coombe Rise etc. The unique character and typicite of a site can be readily discerned. This enlightenment was similar in a way to lining up a whole bunch of wines from the same region and tasting through them. The distinct differences between individual wines or indeed vineyards becomes more evident when viewed next to one another.

At a more detailed level, it was interesting to identify blocks or sections of vineyard that produced different flavours. Tallawanta vineyard was planted in 1920, sits on red soils, and produces beautiful old vine Shiraz. It straddles a small, gentle hill, and as such has both east and west facing slopes. There’s a great intensity to the fruit here. Tasting both slopes, however, it was immediately evident that the western slope was much more advanced and better tasting this vintage, having benefitted from whatever afternoon sun had been afforded it during this cool and wet vintage. In a hot vintage this would likely be reversed with the eastern slope looking better, benefitting from the protection it is afforded from the afternoon sun. This gives Chatto a level flexibility across different vintages to ensure fruit of the appropriate quality goes into one of his top wines, the Coquun Shiraz.

Another comparison of interest was that between Braemore and Trevena. Braemore, planted in the 1960s, is synonymous with great Hunter Semillon, and is considered by many something of a Grand Cru in the Hunter. Trevena, on the other hand, was planted in the 1920s but doesn’t have the profile that Braemore or many of the other great Semillon vineyards in the Hunter have. Braemore and Trevena sit side by side on the same alluvial flat, with only a small dirt road separating them. If someone had told me that the whole area was Braemore I wouldn’t have batted an eyelid, as there are no obvious terroir differences between the two sites. And yet tasting through the two vineyards it was evident that Braemore had better tasting fruit, and apparent why Braemore has risen in the wine lover’s consciousness in the past decade, while Trevena has perhaps not. The difference wasn’t huge, but it was there. The reason for this? I don’t think it has much to do with soil or aspect, as there is not much to obviously pick between the two in that regard. However, they are owned and managed by different vignerons, and looking at the respective vineyards it is quite obvious that Braemore is a site that receives a lot more love and care than Trevena at present. If Trevena can receive a bit more attention in the next decade there would appear no reason it can't come to be considered one of the Hunter's top semillon vineyards.

And on this point, the Trevena example serves to highlight that as much as the Hunter Valley has done a great job in elevating and promoting wonderful single vineyard wines, there is still upside in plenty of the vineyards. There are older vineyards, like Trevena, that still need more work, while there are also younger vineyards that are just starting to come into their own. Chatto has recently released a 2010 Shiraz from the Tallavera vineyard, an elevated site in the Mount View area. It is his play on a Tyrrell’s 4 Acres style shiraz, has received some great reviews, and I’ve got a bottle here that I will review shortly. The key thing for me however, is that they are only 15 year old vines up at Tallavera. One would imagine that the vines are only starting to hit their straps now and that the quality of fruit produced will continue to improve with time. In the Hunter, some further vineyard care and time should give voice to an even greater number of complex, ageworthy wines than already grace wine lovers cellars.

Excitingly, for lovers of the trinity of wine, vineyards, and maps (I can’t be the only one!), there is work being done on a comprehensive Hunter Valley map, that overlays soil type, with both subregion, and vineyard. Given its history, the Hunter perhaps understands as much about its sites as any region in Australia, but there is still insight and knowledge to be gained and it will be great to see this map produced.


2012 Vintage

The above was perhaps a big picture view on Hunter vineyards, but how were things looking for this vintage? Well it’s a mixed bag. Most of the fruit I tasted in late Jan/early Feb was fantastic, and in fact Chatto made the comment that it was some of the best tasting Hunter fruit he had had. The cool summer had allowed for a long, slow ripening of flavours to develop. However, on the other side of the coin it has also been a wet vintage, and rained for much of the week that I was there. There has continued to be on and off rain since that time. The full story has of course yet to be played out, but this will be a variable vintage. Some vineyards had more or less been written off while I was there, because of the rain, including the Tallavera Shiraz, while other vineyards still had that beautiful tasting fruit hanging at the time. It will be a site and winery specific vintage. Chatto’s regular refrain was that he had to hold his nerve and be patient. There was some great tasting fruit out there, but pick too early in fear of the rain and any wine you produce will likely taste pretty green. Of course the flipside, and the fear for all winemakers, is that you might push your luck with the rain and end up having not much fruit at all.










(A wet looking Steven vineyard)

I think whites will generally be pretty good, with many sites being picked before the rain could do too much damage, and all reports are that there is some very good Semillon in the making. The reds on the other hand have been a struggle with rain coming at exactly the wrong time, which is a shame for many reasons, not least of which is that there was some beautiful Shiraz in the offing. It’s not been a complete write-off like the 2008 vintage in the Hunter for reds, and Chatto managed to pick some shiraz off Tallawanta, but plenty of vineyards have not been picked. Many Hunter winemakers are sourcing fruit from outside the Hunter to make some red wines for the vintage. Of the Hunter Shiraz that has been picked, I very much doubt that the fruit that will end up going into premium wines, and potentially the beneficiary will be some of the entry level wines.

I guess in some ways it would have been nice to have seen a vintage where the weather had been perfect, and beautiful fruit kept rolling through the door for the whole week I was there, but in some ways this was perhaps the more educational experience. A tough vintage, with tough decisions to be made in both the vineyard and the winery. For a marginal, yet great wine region like the Hunter, this however, is often the way.


Red
 
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